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Somewhere around early 2008 I desired to teach writers workshops. When a conference leader asked for those interested in teaching to send an application with qualifications, I wrote a short note about my desire to teach and the following:
 Qualifications: Published in twelve anthologies, sixty magazine articles, and wrote for the Plattsmouth Journal for eighteen months. Published Capsules of Hope Survival Guide for Caregivers, and held numerous book signings for A Cup of Comfort. I started a critique group in 2006 and today everyone in the group is a published author.
I thought myself well-qualified, but I didn’t get the job. 
Not even a reply from the Leader. 
Does that mean I did something wrong? 
No, however I did feel disappointed. 
Did I stop sending out requests to teach?
Absolutely not. 
 
And at that time Husband kept saying, “Mook, dream BIG.” 
 
And I did.
More To Come.

 

photo credit: Free Digital Photos //Stuart Miles
photo credit: Free Digital Photos //Stuart Miles
When deciding which social media to use, ask yourself, “Who and where is my audience?”
If your audience is 20 something, don’t hang out at an AARP forum. Determine what kinds of things your audience enjoys and be a part of it.
What is your purpose? Each Social Media platform (Twitter, Facebook, blog, Google+) has its strengths and purposes. Do a bit of research and see which fits with your needs.
Where are you already? Don’t get caught up in doing it all. Not everything will be a fit. Are you already online? Start where you are. Build it up. Keep adding as you discover those places that are a fit for your message and your audience.
What do you enjoy? If you get a profile on Twitter, but hate it, you aren’t as likely to use it. Its better to have no profile there than an unused one. Your fans will want to see you active. Give a new spot a try, but don’t bang your head against the wall if its not working for you.
Remember from last week: your platform must be sustainable. It must work with your life if you’re going to maintain it.
Do you have a platform or marketing question you would like answered?
~ ~ ~
Writing Prompt:
The following paragraph is wordy! And pretty boring (serves the purpose of this exercise). Two challenges:
1) Tighten up the word count. Right now its at 60.
2) Give it some zing. Some interest.
Have fun! Leave a comment and let us know your new word count for challenge #1.
They went down to the store where there was a guy working that had sold them a broken toaster. They needed a toaster so bad because they didn’t have an oven, so they needed to get their money back. Then they would go and get one at a different store where their neighbor told them a sale was going on.
Resource Suggestion: JeffGoines
 “If there’s a book that you want to read, but it hasn’t been written yet, then you must write it.” ― Toni Morrison

 

www.angeladmeyer.com

Platform/Marketing Tip

Start now to work on your platform. Don’t wait until you “need” it. A platform takes a while to build. Start early so you don’t feel pressured to do it all at once. Find a pace that fits you and your life so you won’t burn out.

Building an author platform must be sustainable 
to avoid burnout. (Click to Tweet)

Writing Prompt

photo credit: Angela D. Meyer
  • Set your timer for 10 minutes.
  • Write as much of a story/scene as you can.
  • Do not edit.
Suggested Resource: Michael Hyatt
Do you have a question you would like answered?

“Nice job,” my husband said when he read one of my articles published in the Sunday School handout called The Standard for the Church of the Nazarene.

 “Yes, I’m glad it’s published. Thrilled to see my name in print. Like the payment, but my goal is to be the feature story.”
“What’s that mean?”
“I want the front cover story.”

A month later I opened a packet with three copies of my latest article, ‘Basket of Goodness’ published in LIVE, a Sunday School Handout for the Assemblies of God church.

Although my hubby watched the Nebraska Husker football, I waved a copy of my story in front of his face.

At first he pushed it away. When I continued to pester him, he grabbed the paper and glanced at it.

“You did it, Babe. You have your feature story.” He grinned.

“I still wish to be published in Chicken Soup.”
“You’ll get there, Babe. You’ll get there.”
And last year I did. What a thrill.

Okay, I’m back to a few who say, “Well where is your book?” They know I published “Capsules of Hope: Survival Guide for Caregivers” five years ago. They also know I have a few hundred other ideas floating in my head for a novel, but for right now—well

I’m thrilled once more to say, “Hey, gang, this year I’m published in Chicken Soup for the Soul: Touched by an Angel . What a thrill. Wish my precious hubby were here to celebrate with me.
Several years ago I joined an online writers group where a published author posed the thought for a couple days and others responded.
When we talked about pacing, author Brandilyn Collins said:
I base my opinions on the fact that the actual wording of a sentence creates a rhythm within the reader. We live by rhythm. It’s so common to us we don’t realize it. But as writers we need to understand how to use sentence rhythm to create a desired effect in a scene.
 
When we are scared, our hearts beat faster. We tense. Our eyes move more quickly. Everything about our bodies picks up a heightened rhythm. In creating an aura in a scene, we need to pay attention to the rhythm of our readers.
I pulled a couple books from my shelf to see if I could sense what Ms. Collins calls rhythm.
“Why are you here?” she asked him.
“His Majesty has summoned you to the throne room.” He gestured to the

door and waited for her to lead the way.

Abijah’s heart began to race. Ahaz had never summoned her to the throne room before. “Perhaps…would he like to see his new son?” she asked.
“The king said nothing about his son. He sent for you.” (Austin, Lynn; God’s & Kings page 190.)
We can feel the tension in only those few words. And what about this short scene:
Miles passed by.
“I think I’d like to kiss you good-night sometimes.”
“Okay.”
“I heard that smile.”
“Did you expect me to say no?”
“I’m just thinking about it.”
Bryce glanced over. Her eyes were closed and she was drifting. He smiled, and didn’t break the silence. He was thinking about it too.
Slower paced—awe, but feel the rhythm.  (Henderson, Dee; Unspoken; pg 358)
HACWN friends, editors and publishers 2013

Do you love writers sitting around chatting and learning together? Me, too. I used the photo above to illustrate the family feel. Unfortunatly, all critique groups don’t feel like family.

When I first attended a critique group years ago, a woman I didn’t know well bluntly said, “You write in purple prose.” I didn’t have a clue what she meant.love the color purple, I did write poetry, but I submitted a double-spaced typewritten article in black and white, where did she find purple or even rhyme?
Unsure of myself, I didn’t ask what she meant. (Besides, you weren’t supposed to ask questions, just listen to the critique.) When I arrived home I called a writer friend, she explained the critique to me.
I survived six weeks in the group—seven well-published women and me. They taught me more in that space of time than in any critique group since.
Tough, yes. After each session I drove home in tears. My husband couldn’t understand why I returned, but I developed a tough hide.
 
I knew those women wanted the best for me.
So what is purple prose?
  • The flowery speech of King Jameth,
  • Too many descriptive words to convey a simple thought.
  • Lengthy convoluted sentences.
  • Paragraphs of descriptive dialogue.
Editors and readers like concise sentences made up of active verbs and specific nouns. After you write, edit. Edit again. Cut more. Remember many editors pay by the word. Edit your work as if every word cost you $1. Now practice cutting your word count by 200 or 400 words.
One last thought–our move to another city took me away from the woman with a harsh critique, but not from writing. It pays to take what feels like harsh criticism handed to us for our good.
Sally Jadlow 

How do I justify spending the money to attend another Heart of America Christian Writers Network Conference (HACWN) in November? 

After all, I’m on the Leadership Team for Omaha Wordsowers Christian Writer’s Conference and knee deep into the plans for April 24-25, 2015.

But after praying about it, waffling back and forth, I finally said, “This is something I enjoy. The Littleton’s allow me to teach workshops and I love meeting new authors, editors and publishers. Why not attend?”
After the 2012 HACWN conference I understood why I attend year after year—I saw at least four women latch onto a writing future. One of them, Rachel Skatvold is ready to release her first novella, “Beauty Within” next month.
What are the five reasons I attend HACWN year after year?
  1. Inspiration: I’m totally selfish. My number one reason is to find that extra “Umph” to keep me writing through the next year. When I hear about others accomplishments, I’m excited to arrive home and set goals for the next year.
  2. Encouragement: To cheer on another author is like a gift to me. I’m rejuvenated when I have the opportunity to meet “new to HACWN” attendees, give them a pep talk, pray with them and share what I’ve learned in the last year.
  3. Network with editors and publishers: Put my face before them, yes. But also to dig into their needs, both industry and personal. Ask, “How can I pray for you?”
  4. Learn what’s new in the writing industry: Be aware of the changes, but realize the world still wants to hold a magazine and/or a book. I’m also learning how to publish an E-book. I choose to live in a progressive world full of change.
  5. Support your closest writer’s conference. Because of Mark and Jeanette Littleton and their many volunteer helpers, HACWN is available year after year. By attending each year and paying our dues, we make it possible for new authors to have the same opportunities we’ve had in the past.
My new author friends with Rachel Skatvold on the right
Really there are six reasons. Carol Cumberland and family “house” our Omaha group. We have stayed in her home five times—this November is # sixth time.
I can’t wait until November —who knows what new friends I’ll make.
A tidbit from the Lionhearted Kat:

In a panel discussions the topic of payment for anthology submissions came up. Many writers responded with, “I don’t have time to submit something when I’ll only receive $50.”

By the end of the emails that flew back and forth, I felt like a less-than-good-writer because I submitted to low-paying venues.
Truth is, I like writing for Cup of Comfort, Love is a Verb, Rainy Days, Picket Fences, Angels, Miracles and Heavenly Encounters, and Chicken Soup: Finding My Faith. My work is published in fourteen or is it seventeen anthologies now?No, I don’t earn a living on those stories, but God honors all work.
Last week a District Superintendent qualified the district churches. “We don’t have second-hand churches or less than stellar preachers. We do have many small churches in villages that pay little or nothing. The pastor is bi-vocational—that doesn’t make him or the church less than the mega work in the city.”
The same is true with authors. We may not make big bucks on an anthology, but our words are in print and we will never know what needy soul will read our story—the right story for their need.
You’re beginning to understand how necessary an author platform is, and after last month’s post, you realize it doesn’t have to be overwhelming to build one. But what now?
At this week’s Wordsowers meeting (that’s tomorrow night, September 11), I will present Foundations for a Great Author Platform. We will explore 5 tools you need to get started. In the meantime, here are 7 things to keep in mind as you get to work:
Start. Don’t put it off or you may find yourself in a pinch.
Simple action plan. The more complex it is, the more overwhelming it can be.
Salient message. Don’t muddy your message with a bunch of peripherals.
Stick to it. Keep accounts active. Keep going, don’t lose momentum.
Synergy. Connect and cross-promote with others. 
Savory. Make your message “tasty” and attractive.
Satiate. You cannot give out of an empty cup. Take care of the asset (that’s you).
And if you missed it, here is a short summary from my August post.
          Start early and work slowly to make it happen.
          Learn from the experts, then make your own way.
Formula for Building Your Platform:
Audience (know who they are and where they are) + message(content) + style (voice) + social media platforms (and there are tons!!!) + technique = Platform
 
When things don’t work exactly like we want after following an expert’s book marketing advice, we can easily become discouraged.
Don’t get me wrong, we need to listen to what they say and watch what they do. We need to read and grow and improve our social media skills. If we want to sell our books.
A lot of what they have to say is on target and has broad principles that can easily be applied to multiple brands. However, there are a couple of things I have heard and seen implied by marketing techniques that can lead to quick discouragement.

#1 “If you’re spending more than 30 minutes a day on social media you’re doing something wrong.”

I actually read this one somewhere, but it is not a true statement across the board. It depends on your goals. If you are simply using it as a tool to make announcements or already have a large platform (or an assistant) then, yes.
HOWEVER, if your goal is to build relationships, then I have another version of the story. It takes time. Either a tiny bit at a time over a longer period or more time in a shorter period. It all depends on where you are in your platform building.
This is a good reason to start building your platform early. You CAN spend just a little bit of time each day and make it happen. But if you wait…and need that platform “yesterday”…then I hate to tell you, it will take more time than 30 minutes a day. It does not happen overnight.
Bad news: It takes time to build a platform.
Good news: A little bit every day can work if you have time to spread out your platform building, and start before you need it to be in place.

#2 “It worked for me and if you follow this formula you will have success.”

This one is more implied by all the ads for methods and classes and seminars out there. After a while all the blogs about building a platform start sounding alike. Really. But one size does not fit all. If it did – EVERYONE would have a quickly built, huge online platform. Granted, one size will fit a lot of people, but if you’re the one it doesn’t fit, it can be discouraging!
There is so much more to building a platform than someone else’s technique. Yes, there are principles that work across the board that you should keep in mind, but you have to personalize it. Make it fit your audience, your message and your style.
Here is a formula for you:
Audience (know who they are and where they are) + message(content) +style (voice) + social media platforms (and there are tons!!!) + technique = building a platform
Each element has multiple variables. And there are certainly variables I haven’t mentioned! This creates multiple ways to build your online presence. See how un-one-size-fits-all it is?
Bad news: you have to figure your own way to some degree.
Good news: this means you don’t have to be discouraged when someone else’s way doesn’t work for you.
What does this mean for you and me? It’s kind of like writing. You have to learn how social media works before you can make your own rules. Find your own voice in the world of social media so you aren’t drowned out because you sound like everyone else. I hope that encourages you like it does me.
Have you ever been discouraged be a piece of platform building advice you heard then applied to only find it didn’t work for you?

Have you found a way to truly connect with your readers that gets around the above two myths? I would love to hear from you.

Only 2 people showed up at my book signing. At the craft fair, only a handful stopped by my table. At my first book signing at a store I sold 7 books.

It’s easy to wonder if it was worth my time. Did it really make a dent in my marketing?
At the first event I mentioned I shared chocolates and chit chat. I gave away free homemade beaded bookmarks. I shared about my writing journey and answered questions. We laughed and created some memories. I connected with my readers.
I arrived early and met the author who had an event prior to mine. She bought my book and I bought hers. We traded contact information for a possible future guest blog post.
One of my other guests took a stack of bookmarks to place in her church library. She also planned to check with them about carrying my book. She took my contact info because she is part of a group that occasionally needs speakers.
The third guest was a friend and fellow writer. She had already read my book, but bought another one for someone else and talked to me about my donating a copy of my book for a worthy cause.   
Before the event started, I passed out invitations to around 100 people. I invited everyone I knew through my social media. The bookstore had it up on their FB page as well as a listing in the local book news spot of our Sunday paper.
My 2 new friends signed up for my newsletter. One was already signed up.
Even with only 2 guests, was my event a success? You bet. Here are 5 questions I use to determine if an event was worth my time.
·         Did I connect with my readers? Was I generous and kind to them?        Did we have fun and make memories?
·         Have more people heard about me and my book through this                event and the advertising for it?
·         Did I sell anything? Even if it’s only one person who likes my                  book, they can make a big difference sharing with their friends.
·         Did my email list grow?
·         Did my contact information make it into more hands?
It’s important in the process of building our platform,that we don’t forget the face to face moments.
Have you had a successful author event?

How did you determine if your event was worth your time? 
Angela D. Meyer, author of Where Hope Starts, lives in Omaha, NE with her husband of more than 23 years. She homeschools their daughter and recently graduated their son, who is now a Marine. She loves God and her family. She enjoys good stories and connecting with friends. Someday she wants to ride in a hot air balloon and vacation by the sea. 
Connect with Angela on her website or on Facebook. Sign up for her newsletter here. 
Angela Hunt
Angela Hunt

When the term POV comes up in the critique group I cringe. At least I did until recently.  Last fall when I attended Heart of America Christian Writers Conference in Kansas City, Angela Hunt talked about POV—Point of View.

There is First Person POV. The “I” person is sharing their personal story. This is often used in memoirs.
The Second Person POV: you, yours, yourself is used in letter writing or possibly a speech.
In the Third Person Omniscient POV an all-knowing narrator not only reports the facts but may also interpret events and relate the thoughts and feelings of any character. Charlotte’s Web by EB White is a good example.
Much of what I read is written in Third Person Limited POV. My problem—my fiction work often has talking heads or someone sticking in their thoughts where they shouldn’t be.
Angela Hunt’s Facebook
I’ll admit I’m not the best teacher on POV, but I’m beginning to recognize when I’ve interjected words where they can’t be if the material is written correctly.
There is a new novel buzzing around in my brain. Sometimes I fall asleep thinking about which character said what. I’ve decided the story is told by the ex-wife and her teenage son. Two people using third person limited POV.
Sound asleep I woke up, sat up in bed with a blazing revelation. “They can’t say that. No one can know what happens in the hall. The wife is in the restroom and the son in a hospital bed.” Wow!
Today I picked up a book, I’m assuming should be third person limited POV. The stilted dialogue might not bug me if I could figure out who is where and when. A young single woman is sharing her story. When a young single man comes along she thinks he couldn’t possibly like her for more than a friend, he’s good looking and she’s homely.
The single story teller gives lots of back story before she meets the guy. While they are talking we get his thoughts. “Wow, her smile is gorgeous and she doesn’t wear a ring.” Then back to her sharing her life history with him—much of what we know from the back story.
He thinks, “Wow, maybe God sent me here to marry this woman.” (Hallmark I understand—at least they give a few days instead of minutes.)
When the young lady suggests he have lunch with her family he accepts. When the two young people walk out of the restaurant, we have the dialogue from the parents. “They’re going to get married aren’t they?”
Okay, so maybe the author is writing in Third Person Omniscient—but I don’t get it. Think I’ll try and learn the Third Person Limited well before I put my novel in the computer.

My random writing thoughts for today.
Lionhearted Kat